Persistence of Vision

The Weekly Standard has good things to say about Indoctrinate U:

"We were looking for specific cases that were fairly well-documented that would show different examples of people having their free speech or free thought rights trampled on campus," Maloney says.

There was no shortage of topics. The free-wheeling film first documents the rise of the "campus free speech movement" in the 1960s and '70s, then cuts to examples of modern-day conservatives being shouted down and otherwise intimidated on college campuses. Ward Connerly is verbally assaulted for daring to disagree with campus orthodoxy on the issue of affirmative action and black professors like John McWhorter, formerly of UC-Berkeley, Carol Swain of Vanderbilt University's Law School, and Temple's Lewis Gordon all express their dismay with the current state of the academy, and the suppression of intellectual diversity therein.

From there, Maloney looks at the deprivations some conservative students have faced. He highlights the Kafka-esque nightmare faced by Steve Hinkle, a student at California Polytechnic, who the school attempted to sanction for placing a flier in the university's multicultural center announcing a speech by conservative African-American author, Mason Weaver.

Maloney points out the intimidation tactics used against ROTC recruiters on campus, including a students protest designed to shut down a college job fair the Army Corps of Engineers is attending. The litany goes on and on, with conservative student publications stolen and professors told "we never would have hired you if we knew you were a Republican." Daniel Pipes sums it up best noting, "Going to a university today in the United States is like joining a church--you have to be a believer, you have to have the right set of views, or you're excluded."

The documentary combines relatively shocking footage (one professor excitedly tells the camera "whiteness is a form of racial oppression . . . treason to whiteness is loyalty to humanity") with snappy editing to create a documentary that bounces quickly from subject to subject. It's not a perfect production--Indoctrinate U tends to bog down a little when Maloney tries to ambush subjects who haven't replied to multiple requests for interviews. But these segments illustrate an important point: Rather than face a rational discussion with someone who disagrees with them, many academics simply call the cops. (Maloney even had the police called on him at his alma mater, Bucknell.)

Maloney is now looking for a way to distribute his film, which is an expensive proposition. "Your first set of prints will probably run you $20,000 to $25,000, and every set after that will be $2,000 to $3,000," Maloney says. It is virtually impossible for an independent filmmaker to shoulder that cost and convince theaters to run the films. If Indoctrinate U is going to be shown at your local art house theater, it will have to be picked up by a mini-major distributor, such as Lion's Gate, or New Line.

In order to generate interest from a studio, the film's producers have been trying to stir up excitement at the grassroots level. "At our website, indoctrinateu.com, people can punch in their zip codes and when they do that, it puts a pin on a Google map. We've got thousands and thousands of pins on there now, and over 10,000 localities around the country where people have expressed interest in the film. That's a bankable asset," Maloney says. "We can go to distributors and say 'Look, we haven't spent a dime on promoting this film yet, and we've already had tens of thousands of people sign up saying they'd see this near them if it was shown there." Browning adds, "The idea is to show the demand for a film like this and show there's a ready made audience. That's the hope."

Maloney believes that his documentary has the potential to be a commercial success and hopes someone in Los Angeles takes notice. "I've gotta figure that there's at least one person in Hollywood who recognizes that there's a huge potential audience for this, and that if they think like a business person, and not like a political operative, we could very easily get mainstream distribution."

Failing that, Maloney plans to take his film directly to the people: "We've got this database of people who've already expressed an interest in seeing the film, and there's other ways of getting it to them, from DVD sales, to the iTunes movie store. One way or another, people are going to get to see this film. The only question is, 'Is Hollywood going to demonstrate that they're really nonpartisan, and do business with folks like us?'