Tomorrow, opponents of the Atlantic Yards project will make their case in court. Intrepid MPI fellows Michael Galinsky and Suki Hawley will be covering events. Meanwhile, Galinsky took a moment to talk about The Battle of Brooklyn with Nets Are Scorching.
Excerpt:
Our film is a character-driven, verite documentary that mostly follows a few of the people fighting the project, so we'll want to get their take on the situation. The idea of a verite documentary film gets confusing because most people are used to Michael Moore or old school PBS docs. We aren't journalists and we're not activists either. The idea of this film isn't to get to the bottom of everything that's happened along the way but instead to follow characters as they deal with some of the situations that they face. ...
my faith in government has been severely shaken by the process of working on this film.
I started this project because I read the initial article in the New York Times and I was struck by the fact that it sounded like a press release. As such, I was curious about what was really going on. I don't live right by the footprint, but my daughter was going to daycare two blocks away so I was very familiar with the area.
A few years before the project was announced, my wife and I bought a beat up house and spent the next few years learning how to fix it up. When you go from being a renter to a home-owner you take a little bit more interest in your community because you become invested in it. After about 3 years we had a baby. With a baby you really start to meet the people around you- and you rely on them for information about day care, etc - You really start to build roots. Still, I didn't even know what a community board was until I started to shoot.
As I followed the story, I saw how the government and the community interacted and it wasn't pretty. On a basic local level, there was some responsiveness to what the community wanted; but when the politicians who made the decisions had less connection with the community, they could take the community for granted more easily.
With a project of this size, the impacts on the surrounding communities promises to be profound, yet nobody who was affected by the project was given any real opportunity to have their opinions taken into consideration.
This film is going to be a must-see. A passionate--and yet intensely disinterested--look at how the use of eminent domain is affecting a Brooklyn neighborhood,
The Battle of Brooklyn reveals the complexities--and clashes--of community, property, rights, bureaucracy, and commerce in the post-Kelo era.